PSALOM Traditional Eastern Orthodox Chant Documentation Project |
HYMNOGRAPHY: 4) Hymns of the Canonarchal or Responsorial Genre |
HOME – INTRODUCTION – SOURCES (printed & manuscript)
Canonarchal Genre: Responsorial Refrains | |||||
Prokeimena |
Alleluia |
"Let every breath praise the Lord" |
Final phrases of Troparia, Sessional
Hymns (Kathisma), Kontakia and Oikoi |
"Holy is the Lord our God" |
|
x |
Canonarchal Genre: Complete Melodies | |||||
"God is the Lord" |
Troparia, Kathisma
(Sedalny) and Kontakia
(generic formulas for each Tone) |
Automela/Samopodobny and Prosomia/Podobny
melodies for Troparia, Sessional Hymns and Kontakia |
Hypakoe |
Exaposteilaria (Idiomela, Automela and Prosomoia melodies) |
|
x |
THIS PAGE NEEDS TO BE ORGANIZED SOMEHOW - MAYBE DIVIDE INTO 2 PAGES?
Prokeimena |
Alleluia |
"Let every breath praise the Lord" |
Final phrases of Troparia, Sessional
Hymns (Kathisma), Kontakia and Oikoi |
"Holy is the Lord our God" |
|
Eastern Slavic Repertoires | |||||
GROUP 1: Old Znamenny Chant – Neumatic Sources |
SOURCES (printed & manuscript) | ||||
1a. Znamenny chants from the older "bezpometnye" manuscripts |
|||||
1b. Znamenny chants from the "naonnye" manuscripts |
|||||
1c. Znamenny chants from the newer "narechnye" manuscripts | |||||
GROUP 2: New Znamenny Chant – Notated Sources |
SOURCES (printed & manuscript) | ||||
2a. Square-note chant books |
|||||
2b. Round notes (later and contemporary settings) | |||||
2c. Neumatic chant manuscripts modified to accommodate the reformed texts |
|||||
GROUP 3: Non-Znamenny Chant Systems |
SOURCES (printed & manuscript) | ||||
3a. Kievan Chant |
|||||
3b. Russian Bulgarian Chant | |||||
3c. Russian Greek Chant | |||||
[3d. Demestvenny Chant] | |||||
[3e. Put' Chant] | |||||
GROUP 4: Southwestern Russian Chant Sources |
SOURCES (printed & manuscript) | ||||
4a. Carpatho-Rusyn "Prostopinije" Chant |
|||||
4b. Galician "Samoilka/Samolivka" Chant | |||||
4c. Bukovina Chant |
|||||
4d. Local Kievan/Central-Ukrainian Chants | |||||
GROUP 5: Regional Monastery & Cathedral Chants |
SOURCES (printed & manuscript) | ||||
5A. Northern Sub-Group | |||||
5A-a. Valaam Monastery melodies | |||||
5A-b. Solovetskii Monastery melodies | |||||
5A-c. Moscow Uspenskii Sobor melodies | |||||
5A-d. Krasnogorsk Monastery melodies | |||||
5A-e. Prophet Elias Skete (Mt. Athos) melodies | |||||
5B. Southwestern Sub-Group | |||||
5B-a. Kiev Caves Lavra melodies (separate from the Kievan Chant) | |||||
5B-b. Pochaev Lavra melodies | |||||
5B-c. Glinsk Hermitage melodies | |||||
5C. Central Russian Sub-Group | |||||
5C-a. Optina Hermitage melodies | |||||
5C-b. Seven-Lakes Hermitage melodies | |||||
5D. Urban Sub-Group | |||||
5D-a. St. Petersburg Court Chant | |||||
5D-b. Common ("Obikhod") Chant |