Music for Pascha (Musical Transcriptions of Paschal Hymns by Nikita Simmons unless noted otherwise*)
The Paschal Canon in the Russian Znamenny Chant Traditions (Пасхальный канон) – Transcriptions and notes
Melodies
for the Troparion for Pascha in Znamenny Chant.
Transcribed from printed sources and recordings of oral traditions (Old and New Rite Russian texts).
*The Paschal Hours – miscellaneous melodic sources by Archimandrite Kyril Jenner.
[MP3] *The Paschal Hours – an audio file (used for teaching purposes) sung by members of the Church of the Holy Protection (Pokrov) in Gervais, Oregon. The Hours are sung by "communal declamation", a vocal technique that is normally only used for the singing of the Creed and the Lord's Prayer in the Divine Liturgy (or Typica). Note that the second hymn "Воскресение видевше" is only sung once in this sample recording. This recording also ends with "Lord, have mercy" being introduced by its initial formula, and the remaining 39 repetitions are sung quickly on the final pitch of the introduction. Unfortunately, I was not able to get the singers to sing the Hours to their conclusion for my recording session.
The Ypakoi, Kontakion and Oikos for Holy Pascha – While the texts are according to the New Rite (upon request from a choir director), the melodies are all traditional Znamenny Chant. The melodies for the Ypakoi and Kontakion (the first setting only) can be found in the Synodal square-note editions, while the second setting of the Kontakion and the melody for the Oikos are only found in pre-Nikonian neumatic chant books. [MIDI file] 
April, 2010
The Katavasia for Holy Pascha in Great Znamenny Chant – While this melody can be found in the Synodal square-note editions, it lacks some of the extra melismatic passages found in pre-Nikonian neumatic chant books. [MIDI file] April, 2010
*Paschal Stichery – These traditional Carpathian Prostopenije folk harmonies were transcribed by Johanna Katchen,
National Tsing Hua University, Taiwan, 2005.
Достойно есть, на 8 гласов. Знаменнаго распева.
Transcription of pre-Nikonian Znamenny Chant (from neumatic notation).
Square-note notation.
Published source: Obednitsa znamennago i demestvennago raspeva, edited by L.F. Kalashnikov, Kiev, 1909.
Ипакои
воскресны, на 8 гласов. Знаменнаго распева.
Transcription of pre-Nikonian Znamenny Chant (from neumatic notation).
Square-note notation.
Published source: Oktai, Preobrazhenskii Bogadelnyi Dom, Moscow, 1914.
The
Resurrectional Hypakoi in the 8 Tones. Znamenny Chant.
Translation from pre-Nikonian Slavonic and transcription of Znamenny
Chant (from neumatic notation).
Square-note notation.
Катавасии
общии пресвятей Богородицы, всего лета. Глас 4-й. Отверзу уста моя.
The General Katavasii for the Most Holy Theotokos, in Tone 4: I will
open my mouth...
Common Znamenny Chant melodies used by the Old Believers in Oregon and
many parts of Russia (an abbreviated form of the Great Znamenny melodies),
set in square-note notation
and round-note notation
(Alto clef).
Отче
наш, глас 7, знаменнаго распева.
The Lord's Prayer, sung during the Divine Liturgy. This was transcribed
from manuscript sources in the Lipovan Old Believer singing tradition from
Romania and Ukraine.